Every era has its favorite colors. Today Pantone comes out with the color of the year every year and that color pops up in interiors as the hot new color. This year the color is Greenery—a shade of lime green that you can see on the Pantone website https://www.pantone.com/color-of-the-year-2017.
In the 1930s the hot color was Apple Green. Finding that color in quilts is a strong indication that the quilt was made in the 1930s. The color was a popular color throughout the houses of America in the 1930s. If you visit an antique shop you will likely find kitchen utensils with the handles painted apple green or refrigerator jars whose lids are apple green. The quilts featured here in the collections of the Museum of Texas Tech University document that color.
Grandmother’s Flower Garden Quilt, circa 1930, Gift of Mrs. Don wellborn from the George M. Boles, Collection, TTU-H1971-028-011a.
Drunkard’s Path Quilt, blocks made by Miss Mabel Erwin’s 435 Class at Texas Technological College, quilting by Mrs. Penney, a professional hand quilter, circa 1930. Gift of Department of Clothing and Textiles, Texas Tech University, TTU_H1976-283-003.
Snowball and Nine-Patch Quilt c 1930 Gift of Walter Diggs, TTU-H1978-023-003
Water Lily Quilt, designed by Anne Orr, 1930s. Gift of Alice L. Larson, TTU-H 2017-003-001.
The first of the beautiful quilts that first came to the Museum on quilt documentation days has recently been donated. It is a beautiful and unusual piece with the cheddar and teal green alternating blocks. The pattern is most similar to the Sunburst pattern, shown in Brackman’s Encyclopedia of Pieced Quilt Blocks ad #3545. The fabrics date this quilt to the 1870s. The scraps used in the pieced circles provide an encyclopedia of fabrics from the time. The numbered tag in the image below was from the quilt documentation day. The quilt has been given accession number TTU-H2016-090-001.
The family believes that the quilt was made by Henrietta Douglas Tubbs Appleman (Mrs. Thomas B.). They knew her birth and death dates and where she died, but not much else when the quilt came to the museum. Armed with this basic information, the Museum’s Ancestry.com volunteer (who prefers to remain anonymous) worked to fill in the blanks.
Henrietta was born in on July 15, 1846 in Fairmount Springs, Luzerne County, PA, married on August 3, 1866 in Columbia, PA and died December 30, 1927 in Clovis, Curry, County, NM. The quilt certainly fits her life dates. The family knew that they had moved from Pennsylvania to Iowa and Kansas before settling in Clovis, NM, but they didn’t know when the moves occurred. These dates were important because they would help document where the quilt was made.
The volunteer research developed a list of the Appleman children along with the dates and places of birth which helped define the family’s movements. Henrietta and Thomas Appleman’s first four children were born in Cambria and Benton Counties Pennsylvania between 1867 and 1875. Their fifth and sixth children were born in Story, Nevada County, Iowa between 1877 and 1882. So they lived in Iowa at least until July 1882. The family appears in El Dorado, Butler County, Kansas in the census between 1885 and 1900 and then in New Mexico in the 1910 census.
Clearly this was a treasured family object since it survived all those moves and is in excellent condition. But where was it made? Both Pennsylvania and Iowa are likely candidates. The cheddar yellow is a typical fabric for Pennsylvania and the green was popular in the 1870s. The yellow is a bit off from that normally found in Pennsylvania quilts so it is possible that this was made in Iowa with memories of what was popular in Pennsylvania before the family moved. If it was made in Iowa, given the dates and locations of the birth of the children it would put the quilt at 1875-1877.
This donation and the resulting research which we normally do on incoming objects benefitted the Museum and the donating family. We are grateful to Robert and Mary Beth Niehaus for entrusting the Museum with this treasure.
Brandi Lancaster, Producer of Inside Texas Tech, visited the museum on Thursday, January 5th. Please click on the link to see an image of the exhibit and hear the 8 minute interview on the accessories exhibit. More images are available on the Museum’s website under current exhibits. If you are within driving distance of Lubbock please consider coming to see this exhibit before it closes at the end of day, Sunday, January 15, 2017.
Brandi’s two young nieces came to see the exhibit for a second time while we were conducting the interview. They are so cute I wish you could have been here to see their enjoyment of the accessories exhibit, which Brandi calls “every girl’s dream exhibit.”
This empire waisted brown linen dress with white patent leather belt was worn in 1969 by Mrs. Arnold J. Kremen, whose husband Dr. Arnold Kremen served in World War II, retired from the US Army as a Major, and became a renown surgeon. The cool, comfortable dress is an excellent example of the simple, comfortable, dressy women’s wear that Geoffrey Beene was recognized for. Although 45 years old, the style would be acceptable to wear today. Gift of the sons of the Kremens, Dr. Alan Kremen of Oroville, CA and Dr. Mark Kremen of Omaha. TTU-H1971-085-014. Rochas for Spring 2017 is showing an empire line dress in silk with feminine ruffles along the empire line, spaghetti straps worn over a knitted t-shirt, below.
A recent addition to the collection is this Seven Sisters Quilt which was probably made in the 1890s by Mattye Mae Taylor who lived in Graham, Texas. It came to the Museum as a gift from Mr. and Mrs. Bobby Joe Moody (Charlotte Lamb), TTU-H2016-020-002. Nancy Cabot who wrote about quilts in a syndicated column through the Chicago Tribune said in 1933 that The Seven sisters quilt block is dedicated to “the seven lovely daughters of the Fowler family” of Old Virginia. Other names for the pattern in 1933 when Nancy wrote the column were Seven Stars and Virginia Pride.
Welcome to the new blog from the Clothing and Textiles Division of the Museum of Texas Tech University. Periodically new research, new acquisitions and general interest items from the world of fashion and textiles will be shared.
There are thousands of stories in the over 32,000 objects in the Clothing and Textiles collection and this is the place those stories will be shared. I hope to share with you what I’m discovering in the collection and hope you enjoy the stories.