The Green of the Times

Every era has its favorite colors. Today Pantone comes out with the color of the year every year and that color pops up in interiors as the hot new color. This year the color is Greenery—a shade of lime green that you can see on the Pantone website https://www.pantone.com/color-of-the-year-2017.

In the 1930s the hot color was Apple Green. Finding that color in quilts is a strong indication that the quilt was made in the 1930s. The color was a popular color throughout the houses of America in the 1930s. If you visit an antique shop you will likely find kitchen utensils with the handles painted apple green or refrigerator jars whose lids are apple green. The quilts featured here in the collections of the Museum of Texas Tech University document that color.

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Grandmother’s Flower Garden Quilt, circa 1930, Gift of Mrs. Don wellborn from the George M. Boles, Collection, TTU-H1971-028-011a.

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Drunkard’s Path Quilt, blocks made by Miss Mabel Erwin’s 435 Class at Texas Technological College, quilting by Mrs. Penney, a professional hand quilter, circa 1930. Gift of Department of Clothing and Textiles, Texas Tech University, TTU_H1976-283-003.

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Snowball and Nine-Patch Quilt c 1930 Gift of Walter Diggs, TTU-H1978-023-003

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Water Lily Quilt, designed by Anne Orr, 1930s. Gift of Alice L. Larson, TTU-H 2017-003-001.

 

 

Quilt Documentation Day Donation

The first of the beautiful quilts that first came to the Museum on quilt documentation days has recently been donated.  It is a beautiful and unusual piece with the cheddar and teal green alternating blocks.  The pattern is most similar to the Sunburst pattern, shown in Brackman’s Encyclopedia of Pieced Quilt Blocks ad #3545.  The fabrics date this quilt to the 1870s.  The scraps used in the pieced circles provide an encyclopedia of fabrics from the time.  The numbered tag in the image below was from the quilt documentation day.  The quilt has been given accession number TTU-H2016-090-001.

The family believes that the quilt was made by Henrietta Douglas Tubbs Appleman (Mrs. Thomas B.).  They knew her birth and death dates and where she died, but not much else when the quilt came to the museum.  Armed with this basic information, the Museum’s Ancestry.com volunteer (who prefers to remain anonymous) worked to fill in the blanks.

Henrietta was born in on July 15, 1846 in Fairmount Springs, Luzerne County, PA, married on August 3, 1866 in Columbia, PA and died December 30, 1927 in Clovis, Curry, County, NM.  The quilt certainly fits her life dates.  The family knew that they had moved from Pennsylvania to Iowa and Kansas before settling in Clovis, NM, but they didn’t know when the moves occurred.  These dates were important because they would help document where the quilt was made.

The volunteer research developed a list of the Appleman children along with the dates and places of birth which helped define the family’s movements.  Henrietta and Thomas Appleman’s first four children were born in Cambria and Benton Counties Pennsylvania between 1867 and 1875.  Their fifth and sixth children were born in Story, Nevada County, Iowa between 1877 and 1882.  So they lived in Iowa at least until July 1882.  The family appears in El Dorado, Butler County, Kansas in the census between 1885 and 1900 and then in New Mexico in the 1910 census.

Clearly this was a treasured family object since it survived all those moves and is in excellent condition.  But where was it made?  Both Pennsylvania and Iowa are likely candidates.  The cheddar yellow is a typical fabric for Pennsylvania and the green was popular in the 1870s.  The yellow is a bit off from that normally found in Pennsylvania quilts so it is possible that this was made in Iowa with memories of what was popular in Pennsylvania before the family moved.  If it was made in Iowa, given the dates and locations of the birth of the children it would put the quilt at 1875-1877.

This donation and the resulting research which we normally do on incoming objects benefitted the Museum and the donating family.  We are grateful to Robert and Mary Beth Niehaus for entrusting the Museum with this treasure.

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Medallion Quilts

Medallion quilts are those that have a central focus to which borders have been added to expand the quilt to the desired size.  This type of quilt was popular at the beginning of the 19th century.  The whitework traupunto quilt, probably made in 1810, below features an arrangement of flowers in a two handled vase in the center with smaller arrangements of flowers in a vase in each corner and a border of a palmetto type leaf.  Each of the examples shown here was made by a fine needleworker and the quilting is exquisite.

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The 500 Year Quilt, below, was made in 2011 by Linda Fisher is arranged out in a medallion format.  (Gift of Linda Fisher (Mrs. Charles), TTU-H2016-005-006).
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The Jacobean Tree of Life quilt below was made from a kit in the last quarter of the 20th century and was created in a medallion style. The piece also came with a valence with similar applique decoration.(Gift of Linda Fisher (Mrs. Charles) TTU-H2015-084-004)

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Circa 1940 Floral Basket Medallion quilt, below, was made by Cleo Woodward.  The beautiful quilting can be seen on this piece, even though the batting is very think.  (Gift of Bonnie Jonas Aycock [Mrs. Robert Rex], TTU-H2016-051-009)
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Seven Sisters Quilt

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A recent addition to the collection is this Seven Sisters Quilt which was probably made in the 1890s  by Mattye Mae Taylor who lived in Graham, Texas.  It came to the Museum as a gift from Mr. and Mrs. Bobby Joe Moody (Charlotte Lamb), TTU-H2016-020-002.  Nancy Cabot who wrote about quilts in a syndicated column through the Chicago Tribune said in 1933 that The Seven sisters quilt block is dedicated to “the seven lovely daughters of the Fowler family” of Old Virginia. Other names for the pattern in 1933 when Nancy wrote the column were Seven Stars and Virginia Pride.